One shoot day, a month of assets.
React Web Development Services runs an in-house crew from Porac, Pampanga. A video production day is ₱65,000 — crew, direction and edit — and is priced on the assumption that one day feeds a month of posting rather than producing a single film. A photography day is ₱35,000 and licensed to you in perpetuity, drone and aerial ₱45,000 a day, and a 60-second explainer or product animation ₱95,000. For continuous output, the short-form sprint is ₱75,000/mo for twelve vertical videos, and podcast production ₱48,000/mo. Shoot days in Clark, Angeles and San Fernando carry no travel charge.
Shot for the cut, not for the camera.
Most production days in this market produce one polished film and nothing else, which is why they feel expensive. A day should leave you with a hero cut, a dozen verticals, stills pulled from the same setups, and B-roll you can still use in March.
That is a planning decision made before anyone arrives, not an editing decision made afterwards. We shoot to a shot list derived from where the footage is going — which platforms, which aspect ratios, which captions — because reframing a landscape interview into a vertical clip is how footage ends up with someone’s forehead cropped off.
- One hero cut, 60–90 seconds, colour graded and mixed
- 8–12 vertical cutdowns, captioned, sized per platform
- Stills pulled from the same lighting setups
- B-roll library, licensed to you in perpetuity
- Source files, not just the exports
- Explainer / product animation — ₱95,000
- Motion identity: animated logo and templates — ₱90,000
- Podcast production, recorded to distributed — ₱48,000/mo
- Employer branding: recruitment content — ₱45,000/mo
Three times a crew is the wrong purchase.
Nobody owns posting
Footage with no publishing cadence behind it is a ₱65,000 archive. Sort out who posts, how often, and against what calendar first — content strategy is ₱85,000 and will change the return on every shoot after it.
The product is not ready to be seen
A shoot documents what exists. If the store is half-fitted or the packaging is a placeholder, you are paying a crew to preserve a version of the business you are about to replace.
A phone would genuinely do
Founder pieces to camera and behind-the-counter clips often perform better shot on a phone, because the roughness reads as real. Book a crew for what a phone cannot do: lighting, aerials, product, and anything a client will judge you on.
Work out what a day should produce
The Advisor takes your goal, stage and budget and returns an itemised quote across the catalogue — production included. No email needed to see the number.